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Author/Artist: Limp Bizkit
Title: Cambodia
Album: Family Values Tour '98
Transcribed by: CSC
Email: lumpygravy@hotmail.com

Tuning: C#, G#, C#, F#, A#, D#.

It's all here, you put it together.  Listen to the recording for
the exact timing.  This is how I play it, so there may be some mistakes. The
bars aren't exact measures but how I broke the riffs down when transcribing
this.

I play riff C as written because it sounds "crisp."  It's a stretch to play
but sounds okay when playing with a large amount of gain.  Playing the sames
notes higher up the neck sounds a little mushy to me. Wes plays a 7 string
that's strung with two high E's so he probably plays the verse riff
differently than I've transcribed.

This song was broken up and made up parts of others on the Significant Other
album.


-------------|------------|
-------------|------------|
-------------|------------|
-------------|------------|
-------------|------------|
-1--1-1-0-0-1|-5-0-5-0-5-5| Intro.:
(Dist.)   3x              Riff A - play it a total of 3 1/2 times.

-------------|------------|
-------------|------------|
-------------|------------|
-------------|------------|
-------------|------------|
-1--1-1-1-0-1|-5-0-5-0-5-5|
           3x              Riff B - play 4 x - notice the slight change.

|-------|-------------------------|-6-6-6-6--------------------------|
|-------|-------------------------|-2-2-2-2--etc.--------------------|
|-------|-------------------------|----------------------------------|
|-------|-------------------------|----------------------------------|
|-------|-------------------------|----------------------------------|
|-1-1-0-|-------------------------|---------------------------------|
p.m. 15x "Let me hear some noise!"  Riff C "There's definitely
                              not enough..." listen for rhythm

|---------------------|----------------------------------------------
|---------------------|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
Riff D            4x

|-9-10-11-12*--13-12-14-13*--13-12-14-13*|-13-12-14-13*-|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
(Clean tone)  Verse riff - 2x             add this after 2nd time
*let last note of each sequence ring

-10-10-11-11-12-11-14-13|---------------------------------------------
------------------------|---------------------------------------------
------------------------|---------------------------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
then this (faster) 20x                        (Riff D)

--9------9----|-------------------------------------------------------
-12b14--12b14-|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
Play in time w/ dj; play Riff D - when he 'plays' this sample on 2nd part -
listen for rhythm

-----------------------------------------------9----------------------
----------------------------------------------12b14b12b14-------------
----------------------------------------------------------------------
--6\------------------------------------------------------------------
--6\------------------------------------------------------------------
--6\------------------------------------------------------------------
I end with this but Wes, I believe, ends with the bend (as transcribed
above) while abusing the whammy...

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