SO WHAT?

So fucking what?

F#  G#  G#G#G#  F#  G#  G#G#G#
F#  G#  F#  G#  F#  G#  G#G#G#  2x

G# (palm muted eigths)
Well I've been to Hatestick
And I've been to Brighton
I've been to Eastborne, too
F# G#           F# G#
So what		So what
F# G# F# G# F# G#

G# (PM)
And I've been here
I've been there
I've been every fucking where
F# G#		F# G#
So what 	So what

Chorus:
F# G#    F# G#   F#  G#
So what, so what you boring little cunt/fuck
E          A         G#
Who cares, who cares what you do
E              A         G#
And who cares, who cares about you
F#  G#   F#  G# F#  G# F#  G#
You      you    you    you

Well I fuck the Queen
I fuck the ???
I've even sucked that old man's cock
So what   	So what

And I fuck the sheep
I fuck the goat
I ram my cock right down hens throat
So what 	So what

Chorus

And I've drunk that
I've drunk this
I've ??? up on a ??? of piss
So what		So what

I've had skag
I've had speed
I've jacked up until I bleed
So what 	So what

Chorus

Solo (background: verse + verse + chorus)

I've had craps
I've had lies
I've been to clap and that ain't nice
So what 	So what

I fuck this
I fuck that
I've even fucked the schoolgirls butt
So what 	So what

Chorus


  Sorry about the missing words, but I couldn't figure them out
On MetallicA's Live Shit (or some other live recording) A's are
arpeggiated and it sounds like that other guitar arpeggiates them on
studio version, too.



  	LAST CARESS

Intro:
B			E F#
I got something to say
B			E F#
I kill your baby today
E	       C#
Doesn't matter much to me
B                       E F#
As long as he's dead
B  E F#

Verse:
B			E F#
I got something to say
B			E F#
I rape your mother today
E	       C#
Doesn't matter much to me
B
As long as she's breed

Chorus:
E(0)          F#(II)
Who loves the dead
     B       A#  G#
Just waiting for your breath
E(0)       F#(II)
Cos we get one last caress
B  E F# B  E F#

Verse
Chorus
Verse
Chorus

B  E F#  3x

Some chord explanations: E and F# mean powerchords rooted on 5th
string, 7th and 9th frets, respectively. E(0) has a root of open 6th
string and F#(II) is positioned on 6th string, 2nd fret.

--
Vesa Heikkinen                 /  Is a man who chooses the bad
Insinoorinkatu 60 A 70        /  perhaps in some way better than a
33720 Tampere                /  man who has the good imposed upon him.
Finland                     /
E-mail: h152254@cc.tut.fi  /    - Anthony Burgess: A Clockwork Orange

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